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PC42SE Signature Edition
Pro-100 ICC Profiles
Profiles are created using Argyll CMS and an XRite i1Pro2 Spectrophotometer. All are incredibly high quality profiles and the recommended rendering intent is Relative Colorimetric.
Normally users of ICC profiles would require the use of software like Adobe Photoshop, Lightroom, Photoshop Elements and Aperture or the economical Qimage which all provide color management. However, the method outlined in the above link title will allow the use of ICC profiles without color managed software and is useable on all software.
We recommend Red River Papers when an economical and high performance quality paper is desired. Paper purchased through Red River links on this site help to offset the costs of providing all these high quality ICC Profiles. Thank You for your support.
These ICC Profiles provided are free without charge and are solely for the benefit and use of Precision Colors clients and cistomers. The profiles are created by Precision Colors and hold their copyright and are fully legal to download and distribute amongst the user community. Any commercial redistribution must be approved by Precision Colors.
Order Sample Packs from Red River Click below
Note Tabs below to go to other areas
| RED RIVER PAPERS | ICC Profiles Zipped Package |
Paper Setting Quality : HIGH |
| Ultra Pro Gloss | Download | Photo Paper Plus Glossy II |
| Ultra Pro Gloss 2.0 | Download | Photo Paper Plus Glossy II |
| Pecos River Gloss | Download | Photo Paper Plus Glossy II |
| Arctic Polar Gloss | Download | Photo Paper Plus Glossy II |
| Polar Pearl Metallic | Download | Photo Paper Plus Glossy II |
| Polar Gloss Metallic | Download | Photo Paper Plus Glossy II |
| Premium Gloss | Download | Glossy Photo Paper |
| Palo Duro Soft Gloss Rag | Download | Photo Paper Plus Semi Gloss |
| San Gabriel Baryta 2.0 | Download | Photo Paper Plus Semi Gloss |
| Zeppelin SemiGloss | Download | Photo Paper Plus Semi Gloss |
| Ultra Pro Satin 4 | Download | Photo Paper Plus Semi Gloss |
| Arctic Polar Luster | Download | Photo Paper Plus Semi Gloss |
| Arctic Polar Satin | Download | Photo Paper Plus Semi Gloss |
| Palo Duro Satin | Download | Photo Paper Plus Semi Gloss |
| Greenpix Matte | Download | Matte Photo Paper |
| Premium Matte Plus | Download | Matte Photo Paper |
| Polar Matte | Download | Matte Photo Paper |
| Paper Canvas | Download | Matte Photo Paper |
| Aurora Fine Art Natural | Download | Matte Photo Paper |
| Aurora Fine Art White | Download | Matte Photo Paper |
| Palo Duro Smooth | Download | Matte Photo Paper |
| Palo Duro Etching 315 | Download | Matte Photo Paper |
| Blanco Matte Canvas | Download | Matte Photo Paper |
| CANON PAPERS | ||
| Photo Paper Plus Glossy II | Download | Photo Paper Plus Glossy II |
| Photo Paper Pro Platinum Gloss | Download | Photo Paper Pro Platinum |
| Photo Paper Plus Semi Gloss | Download | Photo Paper Plus Semi Gloss |
| Photo Paper Pro Luster | Download | Photo Paper Pro Luster |
| Matte Photo Paper MP101 | Download | Matte Photo Paper |
| Photo Paper Pro Premium Matte | Download | Matte Photo Paper |
| CANSON PAPERS | ||
| Platine Fiber Rag | Download | Photo Paper Plus Semi Gloss |
| ILFORD | ||
| Ilford Galerie Prestige Smooth Gloss | Download | Photo Paper Plus Glossy II |
| Ilford Galerie Prestige Metallic Gloss | Download | Photo Paper Plus Glossy II |
| Ilford Galerie Prestige Smooth Pearl | Download | Photo Paper Plus Semi Gloss |
| Ilford Galerie Prestige Gold Fibre Silk | Download | Photo Paper Plus Semi Gloss |
| Ilford Galerie Prestige Gold Mono Silk | Download | Photo Paper Plus Semi Gloss |
| INKPRESS MEDIA | ||
| InkPress Glossy | Download | Photo Paper Plus Glossy II |
| InkPress Duo Matte | Download | Matte Photo Paper |
| EPSON | ||
| Premium Photo Paper Glossy | Download | Photo Paper Plus Glossy II |
| Premium Photo Paper Semi Gloss | Download | Photo Paper Plus Semi Gloss |
| Ultra Premium Photo Paper Luster | Download | Photo Paper Plus Semi Gloss |
| Epson Premium Luster | Download | Photo Paper Plus Semi Gloss |
| Ultra Premium Presentation Paper Matte | Download | Matte Photo Paper |
| Matte Paper Heavyweight | Download | Matte Photo Paper |
| Hewlett Packard HP | ||
| HP Luster Photo Paper | Download | Photo Paper Plus Semi Gloss |
| HP Photo Matte | Download | Matte Photo Paper |
| Advanced Semi Matte Proofing | Download | Photo Paper Plus Semi Gloss |
| KODAK | ||
| Kodak Matte Inkjet Paper | Download | Matte Photo Paper |
| PREMIER | ||
| Premium High Gloss HW | Download | Photo Paper Plus Glossy II |
| STAPLES | ||
| Photo Basic | Download | Other Glossy Paper |
| Photo Plus | Download | Photo Paper Plus Glossy II |
| Supreme Matte Photo Paper | Download | Matte Photo Paper |
| Generic Discount Papers | ||
| Generic Brightened Luster | Download | Photo Paper Plus Semi Gloss |
| Generic Glossy #1 | Download | Photo Paper Plus Glossy II |
| Generic Glossy #2 | Download | Photo Paper Plus Glossy II |
| KromeKote Glossy | Download | Photo Paper Plus Glossy II |
| KIRKLAND COSTCO | ||
| Professional Glossy | Download | Photo Paper Plus Glossy II |
| Specialty SWELLABLE PAPERS | ||
| HP Premium Plus Glossy Swellable | Download | Photo Paper Plus Glossy II |
| Ilford Galerie Pearl Classic | Download | Photo Paper Plus Glossy II |
| Giant Image Glossy | Download | Photo Paper Plus Glossy II |
| Giant Image Satin | Download | Photo Paper Plus Glossy II |
| Giant Image Pearl Luster | Download | Photo Paper Plus Glossy II |
Why Multiple Profiles for each paper?
The reason is that the standard ICC profile that 99% of users use and are provided by others assume that perfect daylight conditions are what the images will be viewed in. We know that is not always achieved.
Some advanced RIP software can accomodate the changes in light conditons and we provide this similar feature. Black and White images when viewed under tungsten or quartz lights sometimes offer a reddish cast even with the perfect D50 ICC profile. The use of the alternate tungsten illumination profile will sometimes cure this effect. Do realize that the compensation for the different lighting is an approximate guess and can be used when the D50 is displaying strong casts in certain conditions. Only trial and error will determine which one is best used.
The use of the D50 is the normal ICC lighting condition that is normally universally used.
The reason is that the standard ICC profile that 99% of users use and are provided by others assume that perfect daylight conditions are what the images will be viewed in. We know that is not always achieved.
Some advanced RIP software can accomodate the changes in light conditons and we provide this similar feature. Black and White images when viewed under tungsten or quartz lights sometimes offer a reddish cast even with the perfect D50 ICC profile. The use of the alternate tungsten illumination profile will sometimes cure this effect. Do realize that the compensation for the different lighting is an approximate guess and can be used when the D50 is displaying strong casts in certain conditions. Only trial and error will determine which one is best used.
The use of the D50 is the normal ICC lighting condition that is normally universally used.