| Paper | Standard D50 Illumination |
Fluorescent Illumination |
Tungsten Illumination |
Paper Setting |
| Kirkland Professional Glossy Tulip Version HQ Setting |
Download | Download | Download | Photo Paper Plus GlossyII |
| Canon Photo Paper Plus Glossy II |
Download | Download | Download | Photo Paper Plus GlossyII |
| Canon Photo Paper Plus Semi Gloss |
Download | Download | Download | Photo Paper Plus SemiGloss |
| Canon Photo Paper Pro Luster |
Download | Download | Download | Photo Paper Pro Luster |
| Canon Photo Paper Pro Platinum | Download | Download | Download | Photo Paper Pro Platinum |
| InkPress Luster | Download | Download | Download | Photo Paper Pro Luster |
| Staples Photo Plus Glossy | Download | Download | Download | Photo Paper Plus GlossyII |
| Staples Supreme Matte | Download | Download | Download | Matte Photo Paper |
| The following has Matte Black ink loaded into the PhotoBlack cartridge | The following has Matte Black ink loaded into the PhotoBlack cartridge | The following has Matte Black ink loaded into the PhotoBlack cartridge | The following has Matte Black ink loaded into the PhotoBlack cartridge | The following has Matte Black ink loaded into the PhotoBlack cartridge |
| Canon Matte Photo Paper | Download | Download | Download | Matte Photo Paper |
| Staples Supreme Matte | Download | Download | Download | Matte Photo Paper |
| Red River Papers | Standard D50 Illumination | Fluorescent Illumination |
Tungsten Illumination |
Paper Setting |
| Ultra Pro Satin 4 | Download | Download | Download | Photo Paper Plus SemiGloss |
| Arctic Polar Satin | Download | Download | Download | Photo Paper Plus SemiGloss |
| Polar Pearl Metallic | Download | Download | Download | Photo Paper Plus GlossyII |
| Premium Matte | Download | Download | Download | Matte Photo Paper |
| Polar Matte | Download | Download | Download | Matte Photo Paper |
| Ultra Pro Gloss | Download | Download | Download | Photo Paper Plus GlossyII |
| Arctic Polar Gloss | Download | Download | Download | Photo Paper Plus GlossyII |
| Pecos River Gloss | Download | Download | Download | Photo Paper Plus GlossyII |
| Aurora Fine Art Natural | Matte Photo Paper | |||
| Aurora Fine Art White | Matte Photo Paper | |||
| San Gabriel Baryta | Download | Download | Download | Photo Paper Plus SemiGloss |
| GreenPix Matte | Download | Download | Download | Matte Photo Paper |
| The following has Matte Black ink loaded into the PhotoBlack cartridge | The following has Matte Black ink loaded into the PhotoBlack cartridge | The following has Matte Black ink loaded into the PhotoBlack cartridge | The following has Matte Black ink loaded into the PhotoBlack cartridge | The following has Matte Black ink loaded into the PhotoBlack cartridge |
| Premium Matte | Download | Download | Download | Matte Photo Paper |
| Polar Matte | Download | Download | Download | Matte Photo Paper |
| GreenPix Matte | Download | Download | Download | Matte Photo Paper |
We recommend Red River Papers when an economical and high performance quality paper is desired. Paper purchased through Red River links on this site help to offset the costs of providing all these high quality ICC Profiles. Thank You for your support.
These ICC Profiles provided are free without charge and are solely for the benefit and use of Precision Colors clients and cistomers. The profiles are created by Precision Colors and hold their copyright and are fully legal to download and distribute amongst the user community. Any commercial redistribution must be approved by Precision Colors.
PC9 Pro9500 & Pro9500MkII ICC Profiles
Profiles are created using Argyll CMS and an XRite i1Pro2 Spectrophotometer. All are very high quality profiles and the recommended Rendering Intent is Relative Colorimetric.
Profiles are created using Argyll CMS and an XRite i1Pro2 Spectrophotometer. All are very high quality profiles and the recommended Rendering Intent is Relative Colorimetric.
ICC profiles require the use of software like Adobe Photoshop, Lightroom, Photoshop Elements and Aperture or the economical Qimage which all provide color management. Color management is a complicated topic. Users of ICC profiles if they do not know how to use these type of files can find guidance on the internet on numerous websites. Generally entry level consumer software do not provide color management capabilities and the least costly route to acquire color management capabilities is to get either Qimage or an older copy of Adobe Photoshop Elements 6 or newer.
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Why Three Profiles for each paper?
The reason is that the standard ICC profile that 99% of users use and are provided by others assume that perfect daylight conditions are what the images will be viewed in. We know that is not always achieved.
Some advanced RIP software can accomodate the changes in light conditons and we provide this similar feature. Black and White images when viewed under tungsten or quartz lights sometimes offer a reddish cast even with the perfect D50 ICC profile. The use of the alternate tungsten illumination profile will sometimes cure this effect. Do realize that the compensation for the different lighting is an approximate guess and can be used when the D50 is displaying strong casts in certain conditions. Only trial and error will determine which one is best used.
The use of the D50 is the normal ICC lighting condition that is normally universally used.
The reason is that the standard ICC profile that 99% of users use and are provided by others assume that perfect daylight conditions are what the images will be viewed in. We know that is not always achieved.
Some advanced RIP software can accomodate the changes in light conditons and we provide this similar feature. Black and White images when viewed under tungsten or quartz lights sometimes offer a reddish cast even with the perfect D50 ICC profile. The use of the alternate tungsten illumination profile will sometimes cure this effect. Do realize that the compensation for the different lighting is an approximate guess and can be used when the D50 is displaying strong casts in certain conditions. Only trial and error will determine which one is best used.
The use of the D50 is the normal ICC lighting condition that is normally universally used.